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Showing posts with label Americans. Show all posts
Showing posts with label Americans. Show all posts

Saturday, February 13, 2010

CHINA: Thrifty Chinese resist enticements to spend

China consumer

A woman in the city of Hefei in Anhui province shops for holiday items ahead of Sunday's Chinese New Year. The Chinese are traditionally more comfortable saving their money than spending it. (AFP / Getty Images / February 7, 2010)

An official push to promote consumerism as a way of reducing dependence on exports faces cultural hurdles.

By David Pierson and Barbara Demick

February 13, 2010

Reporting from Beijing

To re-balance their economies, Americans need to save more and the Chinese must loosen their wallets.


But judging from homemaker Wang Fang's grocery cart leading up to the biggest holiday of the year here it's going to take some doing to persuade consumers here to shop til they drop.


Her annual splurge, timed to Sunday's Chinese New Year festivities, included a sack of rice, a jug of cooking oil and a bag of beef jerky. Wang's lone personal indulgence: a $40 foot-washing basin she bought using a gift card from her husband's state-owned gas company.

"Chinese people like to buy practical gifts," said Wang, 49. "So it's mainly food and drinks. We're not going to buy junk that lasts one or two years."


Debt-strapped Americans would do well to mimic Wang's self-restraint. But in macroeconomic terms Chinese frugality is not a virtue. China's economy is overly dependent on foreigners to buy its low-cost exports, a weakness that was exposed during the recent global downturn. The government is now trying to encourage its own citizens to spend, with the goal of building reliable domestic demand for Chinese products.


"We must . . . transform the current development model that is excessively reliant on investment and exports," Li Keqiang, the vice premier widely expected to be the next prime minister, said last month at the World Economic Forum at Davos. "We will focus on boosting domestic demand."


It won't be easy.


China's rapid rise might be the envy of nations across the globe. Yet for all the talk of its economic miracle, Chinese consumers are taking home a shrinking share of the pie. In the 1990s, household income accounted for 72% of the country's gross domestic product. By 2007 it had fallen to 55%, according to a study on Chinese consumption by consulting firm McKinsey & Co.

That's because Beijing has geared China's economy toward production rather than consumption. It's a formula that has provided millions of workers with employment but no quick path to the middle class.


Driving the disparity, experts said, is China's decision to subsidize manufacturing and exports at almost any cost to keep its factories humming. The government has showered its manufacturers with low-interest loans, export subsidies and other incentives to give them an edge over foreign competitors. Beijing has also kept its currency, the yuan, artificially low so that its goods remain cheap abroad.


That has been a boon for Chinese factory owners and other well-connected elites. The nation boasted 42 billionaires on Forbes' most recent list of global tycoons.


But wages for most Chinese workers have grown slowly, while their tax burden has risen to help finance all those business subsidies. Meanwhile, a weak currency has fueled inflation and makes imports more expensive for consumers at home.


The McKinsey study said the average Chinese worker has to put in seven hours on the job to earn enough to purchase the same amount of goods or services that an American worker could buy with one hour's pay.


Yu Yaocai, a 28-year-old junior high school teacher in Beijing, said he set a $300 budget for the holidays, about $40 less than his monthly pay. He said he would put the expenses on his credit card but would pay it off promptly when the bill arrived.


"I only buy something when I need to buy something," Yu said.

To be sure, living standards are rising here. China surpassed the U.S. last year in auto sales, and it's the world's No. 1 cellphone market. Still, more than half of China's 1.3 billion people remain in the countryside, where per capita income in 2009 was $758. City dwellers averaged earnings of $2,773 last year, about 15 times less than what the typical American earned.


Persuading Chinese consumers to spend considerably more of their disposable income will require a massive cultural shift. The Chinese savings rate is more than five times higher than that of the U.S. That's largely because citizens here can't count on the government to supply them with adequate education, healthcare or retirement benefits.


Hu Yuping, a homemaker from a rural suburb outside Beijing, said she's trained her family to survive on about $1 a day. It's the only way they can afford her son's college tuition, which costs $1,000 a semester.


Her husband had to give up a job as a taxi driver because of diabetes. Their savings helped pay his medical bills. To make ends meet, he's taken handyman assignments in his village.


"We don't buy anything big," said Hu, whose deep crow's-feet and graying hair make her look far older than her 46 years. "The last time we did was five years ago when we bought a television."
The central government has launched plans to shore up healthcare and pension plans, but the efforts are still not enough, experts said.


Chinese people "still do not feel secure about their future," said Zhao Ping, an economist with the Ministry of Commerce, who researches consumer spending. "Social security is not well-developed. People in the rural areas have to save money for old age; children [providing for their parents in their old age is]the traditional way, but people can't rely on that because of the one-child policy. The government is trying to improve the social security system, healthcare and retirement programs in rural areas. Only when the system is established will people have the confidence to spend more."


A host of multinational firms, including Walmart, General Motors, Proctor & Gamble and Apple, are betting on it.


On a recent afternoon at one of the 156 so-called "hypermarkets" in China run by the French retailing chain Carrefour, hordes of shoppers elbowed their way through the aisles to stock up for the New Year's celebrations. Many said it was the most expensive occasion of year for them. Family meals had to be prepared and gifts had to be given to in-laws, colleagues and bosses.


The crowds weren't so thick in the electronics department, but traffic was jammed in the food aisles, where special red gift boxes of Peking duck, mixed nuts and rice wine were ready to be scooped-up by passersby.


"It's nutritious and the packaging is easy to hold," said He Liping, explaining why she bought her aunt a seasonally decorated box of organic eggs.


While thrift remains the watchword, some unapologetic consumers can be found in the upscale shopping districts that are springing up in the big cities.


Steven Chen, a 23-year-old musician, said his fashion icon was hip-hop star Kanye West. The Beijing native proudly described his ensemble while standing outside a designer T-shirt store: a Victorinox beanie, a Billionaire Boys Club jacket over a Uniqlo hoodie, Buffalo jeans and teal-colored Nike sneakers.


"If I have the money, I'll buy it," Chen said, describing his shopping addiction. "It's my own money so my parents can't complain. Though they keep telling me to save and buy a house."

Nicole Liu and Tommy Yang in the Times' Beijing bureau contributed to this report.

View Article in the LA Times

Tuesday, January 26, 2010

CHINA: The City of the Future Echoes the Past

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    The Huangpu River  Staffan Holgersson

JANUARY 26, 2010
By JULIE V. IOVINE

ARTS & ENTERTAINMENT

New York

Beijing burnished its international reputation with a handful of acclaimed icons built for the Olympics. But Shanghai is still the Chinese city that appeals most to foreigners, thanks to its checkered past, colonial architecture and mercantile drive—qualities that don't need translating for most Westerners.

Shanghai's Skyscrapers

A look at 'China Prophecy: Shanghai,' at the Skyscraper Museum through April.

View Slideshow

And yet, in recent years, the pace of change in Shanghai has accelerated at such a blistering rate—400 skyscrapers rising in the historic core alone since 1990—that holding on to a coherent impression of the contemporary city is almost impossible.

The relentless escalation seems daunting, even a little scary. A visit to "China Prophecy: Shanghai," now at the Skyscraper Museum [in New York]through April, is a handy way to get a better grip on the changes under way in this clamoring, glamorous city.

Built around the plausible conceit that Shanghai today is experiencing the explosive urban creativity and convulsive growth last seen during the skyscraper age of New York in the '30s, the show sets out to "juxtapose a retrospective of American visions of the skyscraper city of the future from the early 20th century with an exploration of Chinese cities today, pursuing the parallel conditions of rapid modernization and urbanization."

If Shanghai today "reproduces and surpasses New York in the '30s," when it was home to seven million people and sprouting up with 200 skyscrapers (at that time more than in all other cities in the world combined),

its cosmopolitan status can be attributed in part to the American architects at work there. The show focuses on a cluster of three skyscrapers, or "supertalls" between 88 and 128 stories, all designed by American firms: Jin Mao by Skidmore, Owings & Merrill; Shanghai World Financial Center by Kohn Pedersen Fox (KPF); and Shanghai World Financial Center by Gensler.

The oldest and shortest, 88-story Jin Mao, completed in 1999, assumes the shape of a stretched pagoda; while the tallest, Shanghai Tower, which is under construction and due for completion in 2014, is already leaping ahead technologically and aesthetically with a twisting glass and steel cape wrapped around nine stacked atriums at its core. Not incidentally, all three are Manhattan-like in their proximity to water as they rise in Pudong, a peninsula jutting into the Huangpu River that was designated by Deng Xiaoping in 1990 to be the pulsing heart, and financial center, of the metropolis.

More celebratory than skeptical, "China Prophecy" notes the irrepressible energy, the posturing, and the power plays that it takes to translate ambition into a skyline. Plaza 66, a two-tower commercial project completed in 2006 on busy Nanjing Road, has the kind of sky bridges once envisioned for a future Manhattan according to an accompanying photograph of a 1931 Regional Plan of New York. Another high-rise complex of offices, hotels, retail and restaurants, Jing An Kerry Centre, also designed by KPF, was explicitly modeled after Rockefeller Center with towers arrayed around a 32,000-square-foot central plaza; at the show, a model of the center is set in front of a historic rendering of the real Rockefeller Center to underscore the similarities.

Looking back at the jazzy age of New York skyscraper-building, we might imagine the mood back then was pure excitement and swagger, forgetting that there was probably also the anxiety of displaced residents, official disregard for old building stock, and developers' bullying techniques. Watching Shanghai grow even from afar, we can capture that dual sense of optimism and fear that accompanies most ambitious development.

When Deng publicly blessed the development plan transforming mudflats and warehouses into Pudong, he pronounced it the "Head of the Dragon," while some million village people were swept out of the way without much notice.

The show is small but knowing and loaded with riveting minutiae, including a video panning across an official 8,000-square-foot model of the city showing all existing and even future building projects in Shanghai. (Surely, one of the perks of owning all the land is that the state knows what's going to go where way ahead of everyone else.) Details about how materials found their way into the show—for example, a German photographer found on Flickr was commissioned to make a compelling you-are-there video, filmed while traveling through town on a Changjiang motorcycle—hint that the museum subscribes to the same ad hoc opportunistic spirit of the skyscraper-builders themselves.

Does "China Prophecy" offer more than an exercise in compare, contrast and celebrate? One final video is actually quite provocative. Spliced together side by side, the clip juxtaposes a film from the Democracity and Futurama displays at the 1939 World's Fair in New York with a promotional video for Shanghai 2010 Expo, with its theme "Better City, Better Life." Both extol elevated highways and skyscrapers rising from verdant green acres. To our contemporary eyes, Futurama may look rather quaint, but in Shanghai those same visions are already reaching for the sky and beyond.

Ms. Iovine is the executive editor of The Architect's Newspaper.

View Article in the Wall Street Journal